Wassup Rockers



MoCCA Fest 2009.

[Edit: My friend from work wrote a li’l something on MoCCA too. Clickety click here. Also, I was lurking around a day or two ago looking at other people’s posts, and someone mentioned how annoying it was that there didn’t seem to be any trash cans in the fucking armory. I agree! I kept looking around for a place to dump my trash, and eveeeeentually I found a receptacle.]

Went to the MoCCA fest, which was moved from the Puck building to the Armory between 25th and 26th Streets. The space was striking, absolutely massive–everyone fit under one space, instead of having to split the exhibitors into several large rooms. On one level it was easier to have everyone under one roof, but on another level it also felt a little less personal. I don’t know what could be done about it; the fest had long outgrown its former space, and the move was necessary. The one thing that actually sucked was how humid it got, people were just sweating left and right.

It was just overwhelming to have so many exhibitors and fans in there. Even though there was a floor plan, it was easier for me to just get a feel for the space, so I literally walked up and down every aisle to see who was there and what they had to offer. Then, once I finished doing that, I just returned to the tables that really caught my eye, which was mostly the international artists.

It remained crowded almost all day, so I didn’t get a good glimpse at certain tables. As it happens every year, I saw Adrian Tomine, and his buddy Seth was there, too. I didn’t get anything signed by him, but seeing Adrian was comforting, like, “There’s a familiar face!” Haha. Jason showed up and signed shit, as well as Tom Gauld and I think Kurt Wolfgang too, among many many others. Everyone was so friendly and eager to engage in sweet conversation while enticing us common folk into buying their creative output and in my head I was like, “AHHHHH TOO MUCH I CAN’T HANDLE IT!” but mostly I just smiled politely, said hello, glanced at some of the comics here and there, and just moved on.

Listen, I was on a budget, okay? I really wanted a copy of Joann Sfar’s Piano, but by the point I saw it, I was down to less than $30… And the book was going for $40. There were some other really cool from L’Association and this Belgian publisher named Bries. Bought a couple of titles from the latter.

I was hoping (it was a wild and futile hope, really) that maybe they might have Papa est un peu fatigué but they didn’t. I bought another Ville Ranta comic instead. Bought some other comics from the Scandinavian contingent. I got a mini-comic signed by one of the artists, and I thought he was just gonna give me his John Hancock but he was nice enough to draw me a little something. So I just want to declare this artist, Simon Bukhave, as totally awesome for taking the time and effort to do so.

There was also a Romanian table. I shit you not. Like, of all the random places… They were featuring a series called Hardcomics and I bought a couple, including one that wasn’t even translated. But that’s okay, because I really love the artwork.

The one panel I attended was called “Scandinavian Comics 101,” and the panelists included: Åsa Ekström (Sweden), Mattias Elftrop (Sweden), Johanna Rojola (Finland), Thomas Thorhauge (Denmark), Ib Kjeldsmark (Denmark), Erik Falk (Norway), and one more artist whose name I didn’t catch (also from Norway). If you know his name, or if I misspelled anyone’s name, please let me know! The panel was moderated by Steffen P. Maarup, who is Danish. As soon as I saw how many artists were participating in the panel, I realized we weren’t going to get too far into some deep dialogue from the artists of the various countries they represented. The allotted time was just too brief to get very far… However, the panelists were all very charming and made some great points. For example, I had no idea that so many of them were deeply influenced by French and Belgian comics as opposed to American ones. There was a curious audience member who posed a really interesting question about race and whether the POC in the Scandinavian countries were active at all in the comics scene. The panelists didn’t have much of an answer other than that POC are not really visible. Honestly, there was plenty said during the short time and I’m sure someone who took more copious notes will hit every bullet point discussed… but unfortunately that someone isn’t me. Sorry!

Dude! I do wanna give props to MoCCA for putting out refreshments at the panels!! I feel like my admission money mostly went to good use. Hehe. I had fun, and I got some really cool comics that I’m probably never ever gonna see again, so… it was worth it. Hope all the international artists are able to come next year, too!

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